Anyone running a doctor's office or any other kind of establishment with a waiting room should consider providing reading material their clients will enjoy. So many of these waiting rooms are either empty or filled with women's reading material. Military fiction books and magazines are especially popular among men and boys. Perhaps the fellows are stealing war books from lobbies nationwide. If not, office managers would do well to order some war stories.
Conventions include a realistic, usually historical setting and protagonists identifiable by uniform rather than spies, who are soldiers moving secretly among a civilian population and in civilian dress. They are usually stories with a large cast of characters even if told through a single character's point of view. Enthusiasts of the genre generally appreciate attention to tactics and strategy, as well as attention to the particulars of weapons and tools.
Rules are meant to be broken, and the war genre is rapacious at poaching other genres' treasure. This is particularly so with science fiction. Space opera is perennially the most popular sub-category in SF, both on bookstands and on the screen. It is the form of SF likeliest to be cast in a completely military setting, however imaginary. Characters will exist in a strict hierarchy of rank. There might be spacecraft massed into squadrons, firing at other massed squadrons. If on a planet, there are likely as not gun battles with beam guns blazing.
Militarized space opera is so dominant that many in the broad public seem to assume all science fiction is space opera. Understandably, this is to the frustration of many science fiction enthusiasts. It does, however, attest to the universality of the war story. So do all the martial elements in fantasy, whether in the form of the classics of the field or yesterday's new video game.
The whole genre of secret agent stories might also be understood as a sub-category of military stories. In this account, spy stories have the same relationship to war stories that espionage holds to the regular armed forces. The spy story can be thought of as a kind of military story dedicated to a particular theater of combat, fought by a particular kind of soldier. It would be analogous to fiction that focuses on naval battles, or special forces combat.
Some parents will hesitate before feeding the kids war literature, worried that the inevitable graphic violence might imprint itself on their character, or that it might even inspire the kids to enlist one day. Studies might reassure them that violence conveyed through print lacks the shock effect of seeing it on-screen. However, this also must be weighed against the need to provide reading material that genuinely inspires a life-long love of reading.
It is common among children to focus obsessively upon a particular genre. Sometimes it is girls and fantasy, with its dragons and wizards. Add technological elements and it becomes science fiction. Boys who need more realism sometimes seem to tune in to war stories and little else when it comes to reading material.
Stories of combat have energized young men for thousands of years. Many may object, and their objections should receive a fair hearing. But the distribution of war literature could also lead to more boys learning to read and more men going in for their check-ups.
Conventions include a realistic, usually historical setting and protagonists identifiable by uniform rather than spies, who are soldiers moving secretly among a civilian population and in civilian dress. They are usually stories with a large cast of characters even if told through a single character's point of view. Enthusiasts of the genre generally appreciate attention to tactics and strategy, as well as attention to the particulars of weapons and tools.
Rules are meant to be broken, and the war genre is rapacious at poaching other genres' treasure. This is particularly so with science fiction. Space opera is perennially the most popular sub-category in SF, both on bookstands and on the screen. It is the form of SF likeliest to be cast in a completely military setting, however imaginary. Characters will exist in a strict hierarchy of rank. There might be spacecraft massed into squadrons, firing at other massed squadrons. If on a planet, there are likely as not gun battles with beam guns blazing.
Militarized space opera is so dominant that many in the broad public seem to assume all science fiction is space opera. Understandably, this is to the frustration of many science fiction enthusiasts. It does, however, attest to the universality of the war story. So do all the martial elements in fantasy, whether in the form of the classics of the field or yesterday's new video game.
The whole genre of secret agent stories might also be understood as a sub-category of military stories. In this account, spy stories have the same relationship to war stories that espionage holds to the regular armed forces. The spy story can be thought of as a kind of military story dedicated to a particular theater of combat, fought by a particular kind of soldier. It would be analogous to fiction that focuses on naval battles, or special forces combat.
Some parents will hesitate before feeding the kids war literature, worried that the inevitable graphic violence might imprint itself on their character, or that it might even inspire the kids to enlist one day. Studies might reassure them that violence conveyed through print lacks the shock effect of seeing it on-screen. However, this also must be weighed against the need to provide reading material that genuinely inspires a life-long love of reading.
It is common among children to focus obsessively upon a particular genre. Sometimes it is girls and fantasy, with its dragons and wizards. Add technological elements and it becomes science fiction. Boys who need more realism sometimes seem to tune in to war stories and little else when it comes to reading material.
Stories of combat have energized young men for thousands of years. Many may object, and their objections should receive a fair hearing. But the distribution of war literature could also lead to more boys learning to read and more men going in for their check-ups.
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